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Every artist knows in his heart that he is saying something to the public.Not only doe

s he want to say it well, but he wants it to be something that has not been said before.He hopes the public will listen and understand what he wants to teach them, and what he wants them to learn from him.

What visual artists like painters want to teach is easy to make out but difficult to explain, because painters translate their experience into shapes and colors, not words.They seem to feel that a certain selection of shapes and colors, out of the countless billions possible, is exceptionally interesting for them and worth showing to us.Without their work we should never have noticed these particular shapes and colors, or have felt the delight which they brought to the artist.

Most artists take their shapes and colors from the world of nature and from human bodies in motion and at rest; their choices indicate that these aspects of the world are worth looking at, that they contain beautiful sights.Contemporary artists might say that they merely choose subjects that provide an interesting pattern, that there is nothing more in it.Yet even they do not choose entirely without reference to the character of their subjects.

If one painter chooses to paint a decaying leg and another a lake in moonlight, each of them is directing our attention to a certain aspect of the world.Each painter is telling us something, showing us something, emphasizing something—all of which means that, consciously or unconsciously, he is trying to teach us.

1.An artist hopes that the public will ____.

A.understand him and learn from him

B.notice only shapes and colors in his work

C.teach him something

D.believe what he says in his work

2.It is hard to explain what a painter is saying, because he/ she ___.

A.uses shapes and colors instead of words

B.uses unusual words and phrases

C.does not express himself /herself well

D.does not say anything clearly

3.The writer points out that contemporary artists might say their choices of subject _____.

A.only provide interesting patterns

B.teach the public important truths

C.have no pattern or form

D.carry a message to the public

4.The writer also points out that contemporary art contains ____.

A.nothing but meaningless patterns

B.uninteresting aspects of the world

C.completely meaningless subjects

D.subjects chosen partly for their meanings

5.What is implied in this passage?()

A.A painting is more easily understood than a symphony.

B.Art is merely the arranging of shape and color.

C.Every artist tries to say something to the public.

D.One must look beyond shape and color to find what the artist is saying.

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更多“Every artist knows in his hear…”相关的问题

第1题

A friend of mine was fond of drawing horses. He draw the horses very well, but he alwaysbegins with the tail. Now it is the Western rule to begin at the head of the horse, which is why I amsurpriseD.It strikes me that it could not really make any difference whether the artist begins at thehead or the tail or the belly or the foot of the horse, if he really knows his business. And most greatartists who really know their business do not follow other people's rules. They make their ownrules. Every one of them does his work in a way peculiar to himself; and the peculiarity means onlythat he finds it easier to work in that way.Now the very same thing is true to literature. And the question, "How shall I begin?" onlymeans that you want to begin at the head instead of beginning at the tail or somewhere else. Thatis, you are not yet experienced enough to trust your own powers. When you become moreexperienced you will never ask the question, and I think that you will often begin at the tail - thatis to say, you will write the end of the story before you have even thought of the beginning.

1)A friend of the writer's draw the horses().

A.very well

B.in the way of western rule

C.in the way of his own rule

D.all of the above

2)The writer is surprised because().

A.the Western artist begins to draw at the head of the horse

B.the artist begins to draw at the tail of the horse

C.the artist makes his own rule

D.the artist does not follow other people's rule

3)You are not yet experienced because().

A.you don't know where to begin with

B.you want to begin at the head instead of beginning at the tail

C.you always asked questions

D.you do not trust your own powers

4)When you become more experienced in writing, you will probably().

A.never ask questions

B.often begin at the tail

C.write the end of the story

D.think of the beginning

5)The topic of the passage is “()”.

A.How to draw a horse

B.How to write a story

C.How to make your own rules

D.Make your own rules

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第2题

A friend of mine was fond of drawing horses. He drew horses very well, but he always began at the tail. Now it is the Western rule to begin at the head of the horse. That is why I was surprised. It struck me that it could not really make any difference whether the artist begins at the head or the tail or the belly or the foot of the horse, if he really knows his business. And most great artists who really know their business do not follow other people' s rule. They make their own rules. Every one of them does his work in a way strange to himself; and the peculiarity means only that he finds it easier to work in that way.Now the very same thing is true of literature. And the question, "How shall I begin?" only means that you want to begin at the head instead of beginning at the tail or somewhere else. That is, you are not yet experienced enough to trust your own powers. When you become more experienced you will never ask the question, and I think that you will often begin at the tail-that is to say, you will write the end of the story before you have even thought of the beginning.A friend of the writer’s drew horses

A.in the way of his own rule

B.in the way of Western rule

C.very well

D.all of the above

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第3题

My best friend loved drawing horse. He drew the horses very well, but he always began the tail. Now it is the Western rule to begin at the head of the horse, that is why I was surprised. It struck me that it could not really make any difference whether the artist begins at the head or the tail or the belly(肚子)or the foot of the horse, if he really knows his business. And most great artists who really know their business do not follow other people's rule. They make their own rules. Every one of them does his work in a way peculiar(奇特的)to himself; and the peculiarity means only that he finds it more easy to work in that way.

Now the very same thing is true to literature(文学). And the question“How shall I begin?”only means that you want to begin at the head instead of beginning at the tail or somewhere else. That is, you are not yet experienced(有经验的)enough to trust your own powers. When you become more experienced you will never ask the question, and I think that you will often begin at the tail, that is to say, you will write the end of the story before you have even thought of the beginning.

Question:When you become more experienced you will ____________.

A.never ask question

B.often begin at the tail

C.write the end of the story

D.think of the beginning

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第4题

A friend of mine was fond of drawing horses. He drew horses very well, but he always began at the tail. Mow it is the Western rule to begin at the head of the horse. That is why I was surprised. It struck me that it could not really make any difference whether the artist begins at the head or the tail or the belly or the foot of the horse, if he really knows his business. And most great artists who really know their business do not follow other people’s rule. They make their own rules. Every one of them does his work in a way strange to himself; and the peculiarity means only that he finds it easier to work in that way.

Now the very same thing is true of literature. And the question, “How shall I begin?” only means that you want to begin at the head instead of beginning at the tail or somewhere else. That is, you are not yet experienced enough to trust your own powers. When you become more experienced you will never ask the question, and 1 think that you will often begin at the tail-that is to say, you will write the end of the story before you have even thought of the beginning.

Question:A friend of the writer’s drew horses().

A.in the way of his own rule

B.in the way of Western rule

C.very well

D.all of the above

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第5题

Reading Comprehension(阅读理解) Passage 2 A friend...

Reading Comprehension(阅读理解) Passage 2 A friend of mine was fond of drawing horse. He drew the horses very well, but he always began the tail. Now it is the Western rule to begin at the head of the horse. That is why I was surprised. It struck me that it could not really make any difference whether the artist begins at the head or the tail or the belly(肚子) or the foot of the horse, if he really knows his business. And most great artists who really know their business do not follow other people’s rule. They make their own rules. Every one of them does his work in a way peculiar(奇特的) to himself; and the peculiarity means only that he finds it more easy to work in that way. Now the very same thing is true to literature(文学). And the question, "How shall I begin?" only means that you want to begin at the head instead of beginning at the tail or somewhere else. That is, you are not yet experienced(有经验的) enough to trust to your own powers. When you become more experienced you will never ask the question, and I think that you will often begin at the tail --that is to say, you will write the end of the story before you have even thought of the beginning. 根据短文完成1-5题,在空格处填写正确选项的字母。 1. A friend of the writer’s drew the horses ____. A. very badly B. in the way of western rule C. in the way of his own rule D. all of the above

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第6题

Passage OneQuestions 21 to 25 are based on the following passage. Every artist knows in hi

Passage One

Questions 21 to 25 are based on the following passage.

Every artist knows in his heart that he is saying something to the public. Not only does he want so say it well,but he wants it to be something which has not been said before. He hopes the public will listen and understand-he wants to teach them. and he wants them to learn from him. What visual artists like painters want to teach is easy to make out but difficult to explain,because painters translate their experiences into shapes and colors,not words. They seem to feel that a certain selection of shapes and colors,out of the countless billions possible,is exceptionally interesting for them and worth showing to us. Without their work we should never have noticed these particular shapes and colors,or have felt the delight which they brought to the artist. Most artists take their shapes and colors from the world of nature and from human bodies in motion and repose:their choices indicate that these aspects of the world are worth looking at,that they contain beautiful sights. Contemporary artists might say that they merely choose subjects that provide an interesting pattern,that there is nothing more in it. Yet even they do not choose entirely without reference to the character of their subjects. If one painter chooses to paint a gangrenous(生坏疽的)leg and another a lake in moonlight,each of them is directing our attention to a certain aspect of the world. Each painter is telling us something,showing us something,emphasizing something-all of which mean that,consciously or unconsciously,he is trying to teach us.

All artists are common in that______.

A. they use shapes and colors instead of words

B. they are trying to teach the public

C. what they want to teach is difficult to explain

D. they want to learn from the public

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第7题

听力原文:M: Prof. Kennedy has been very busy this semester. As far as I know, he works until mid-night every day.

W: I wouldn't have troubled him so much if I had know he was so busy.

Q: What do we learn from the conversation?

A.The woman has trouble getting along with the professor.

B.The woman regrets having taken up much of the professor's time.

C.The woman knows the professor has been busy.

D.The woman knows the professor has run into trouble.

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第8题

听力原文:W: Professor Edward has been very busy this term. As far as I know, he works until mid-night every day.

M: I wouldn't have troubled him so much if I had known he was so busy.

Q: what do we learn from the conversation?

A.The man regrets having taken up much of the professor's time.

B.The man has trouble getting along with the professor.

C.The man knows the professor has been busy.

D.The man knows the professor has run into trouble.

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第9题

听力原文:W: I hope I haven't made this chili too hot for you.

M: Too hot for me? It couldn't be. I love spicy food.

Q: What does the man mean?

A.He likes the current temperature.

B.He wishes the weather would get hotter.

C.He cooked every bit of the food.

D.He knows he will like the food.

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